Wamba salif keita biography
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Soro
Salif Keita's success story reads like an improbable historical novel. Born in Mali and descended from a famous warrior king of the Mandingo Empire, Keita is an albino, which is still considered bad luck in many parts of Africa. He was ostracized from birth, and his childhood was marred by his father's oft-expressed revulsion. Although it was considered shameful for people of his caste to become entertainers, he must have felt that he didn't have much lose, so he migrated to the capitol city of Bamako bent on a career as a singer. After epochal stints fronting bands like Rail Band and les Ambassadeurs, he moved to Paris during the mid-'80s. His reputation had proceeded him, and he quickly became a fixture on the flourishing African music circuit. Although he was famous in Africa and had achieved a strong fan base among connoisseurs around the world, Soro was his international breakthrough album and his first release in the English-speaking world. The project was produced by Ibrahima Sylla, a visionary who had already discovered dozens of African stars and would later become the driving force behind Africando. The arrangements featured the roiling rhythms, slightly nasal female backup choirs, and traditional percussion typical of Malian music. But these were nearly overw
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Links to Peel[]
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Salif Keita’s Soro released in 1987 and recorded at Studio Harry Son in Paris stands as a time capsule of a particularly creative milieu and arguably an early work of afro-futurism. A cornerstone of Keita’s cannon and indeed the careers of all involved – This defining album of the eighties was executive produced by Ibrahima Sylla alongside François Bréant and featured a pan-African personnel present in Paris at the time, as well as genie of the synth Jean-Philippe Rykiel.
A record that can sit comfortably alongside ImmigrésbyYoussou N’dour (1988) and Le Voyageur by Papa Wemba (1992), it baffled more reductive ears who for Bréant expect African music to be “a museum” and “a bone through the nose and bells on the feet” listeners eager to be served the same dish again and desiring of a record to neatly file in a carefully curated collection.
Instead, Soro sought to say something new with what the liner notes of Nii Yamotei described as “state of the art technology” by using synths and production to do justice to the perfection of Salif’s craft.
Resident in Paris since 1984, Salif Keita was already a star in West Africa at the time work began on Soro. Having honed his voice first with the Super Rail Band De Bamako and later with Les Ambassadeurs, this