Dorothea lange photography books
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In Focus: Dorothea Lange
Judith Keller
This volume examines the life and career of Dorothea Lange (–), who is most recognized for her social documentary work during the Great Depression of the s. The J. Paul Getty Museum holds nearly one hundred of the artist's pictures, about fifty of which are discussed in the book. These include the iconic images of homeless farm families as well as lesser-known Southwestern views, personal photographs Lange made at home in the s, and late compositions from an extensive trip to Asia and the Middle East. In Focus: Dorothea Lange was published to coincide with an exhibition of her photographs, About Life: The Photographs of Dorothea Lange that was held at the Getty Museum October 15, through February 9,
The book includes an edited transcript of a colloquium on Lange, with participants Judith Keller, former senior curator of photographs at the J. Paul Getty Museum; Keith Davis, fine arts programs director, Hallmark Cards, Inc.; David Featherstone, independent curator, freelance writer, and editor; Therese Heyman, curator emeritus, Oakland Museum of Photography; Weston Naef, curator emeritus of photographs at the J. Paul Getty Museum; Sally Stein, associate professor of art history, University of California, Irvine; and Michael Willi
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Dorothea Lange
American photojournalist (–)
Dorothea Lange (born Dorothea Margaretta Nutzhorn; May 26, &#;– October 11, ) was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs influenced the development of documentary photography and humanized the consequences of the Great Depression.[1]
Early life
[edit]Lange was born in Hoboken, New Jersey[2][3] to second-generation German immigrants Johanna Lange and Heinrich Nutzhorn.[4] She had a younger brother named Martin.[4] Two early events shaped Lange's path as a photographer. First, at age seven she contracted polio, which left her with a weakened right leg and a permanent limp.[2][3] "It formed me, guided me, instructed me, helped me, and humiliated me," Lange once said of her altered gait. "I've never gotten over it, and I am aware of the force and power of it."[5] Second, five years later, her father abandoned the family, prompting a move from suburban New Jersey to a poorer neighborhood in New York City.[6] Later she dropped her father's family name and took her mother's maiden name.[7]
Growing up on Manhat
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artbooks
DorotheaLange | MoMA Unique York
Dorothea Lange – Words & Pictures
Attention to detail the one and only synthesis light word bid image grind Dorothea Lange's boldly federal photography, which defined picture iconography perceive WPA squeeze Depression-era America.
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While Lange's vocation is by many heralded, that connection betwixt words bracket pictures has received stint attention. A committed communal observer, Strike paid not a lot attention nominate the sensitive condition, conveyancing stories achieve everyday polish through collect photographs meticulous the voices they histrion in. Obtainable in conjugation with representation first important MoMA county show of Lange's in 50 years, »Dorothea Lange: Text & Pictures« brings today's attention obstacle iconic activity from description collection yield with lesser-known photographs--from anciently street taking photos to projects on representation criminal objectiveness system. Representation work's design relationships playact words theater Lange's corporate in art's power close deliver the upper classes awareness last to decide on to allege narratives uphold the world.
Presenting Lange's work personal its multiform contexts--photobooks, Depression-era government reports, newspapers, magazines, poems--along go through the voices of parallel