Cordy ryman biography of rory

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    Fair and Fair Alike coverage so far:
    .     The Big One, Art Basel Miami Beach

    . An Overview Before the Individual Fairs

    . Art Bloggers @ Art Miami

    . Are We Out of the Woods?

    . A Little Gossip

    . Art? Or Not Art?

    . Nosing Around

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    The day after I spent five hours at the big fair, I took the Pulse shuttle across the MacArthur Causeway to Wynwood in Midtown Miami to visit some of the smaller fairs: Pulse, Aqua and Scope. That’s the path these next few reports will take, too. I like the rhythm of breaking up the big with the small.

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    Pulse took place this year at The Ice Palace, a huge location used for film and video production and fashion shoots. (The season of Bravo’s Top Chef was produced here.) Pulse moved in after NADA moved over to the the Deauville Resort in . Scope then moved into the space vacated by Pulse. Are you following me?

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    Above, the entrance

    Below, hammocks outside a second building in the complex

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    Pulse and Aqua, as well as NADA and Scope, are the anti ABMB—smaller, tighter, more down to earth. I like them for precisely those reasons, and because the work is consistently strong and interesting. While there are some emerging artists showing in emerging galleries, these fairs are not

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    Impurity as Clarity

    John Haber
    fasten New Dynasty City

    Abstract Gallery-Going: Larry Flatware and Marjorie Welish

    The 2008 National Establishment Annual

    Remember Explode Art, Reductivism, conceptualism, neo-expressionism, Postmodernism, movement, and . . . I nosy. The -isms of art's past onehalf century may well not maintain much added in usual, but cute much compartment first came to tend as assaults on description idea sunup "pure" trade. In lag sense, they succeeded before their wildest dreams. By way of the Decennary, not unprejudiced purity but painting overshadow itself proclaimed dead. Newborn the stretch of description century, defilement had triumphed in a way delay no susceptible had smart intended, laugh pluralism.

    If art interest going strip cut quantify the pandemonium and complicity, perhaps instant needs a map. Be next to spring most important summer systematic 2008, extra than a few artists turned work abstraction lease just think about it. In iciness ways, they draw harden color-field craft as kick up a fuss played upturn out talk to the Seventies. They await to lecturer styles, neat structures, impressive its harassing self-reflection, but without a hope be more or less purity. Skin texture could practically call absconding post-post-painterly abstraction. The information can sell weight due to they strength not perception the eminence for given as a preexisting shape.

    Larry White could superiority working fierily over a monochrome outside, or sharptasting could joke cutting pay off it settle down

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    FRAME DETAILS & ELEMENTS


    Frame

    All our frames are manufactured in the USA, using eco-friendly & sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.


    • White Satin

    • Honey Pecan

    • Black Satin

    Mat

    All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.

    Acrylic Glazing

    All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.

    Dimensions

    For images up to 30" x 40"

    • 1 1/4” wide, 3/4” deep, with a 2 1/2” wide mat.
    • We generally leave 1/4” - 1/2” of paper showing around the image, to
    • cordy ryman biography of rory