Marnie weber biography sample
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Wikipedia talk:WikiProject Biography/Archive 43
i would like 2 sms or contact kevin how do i do that or whats his e-mail adress? He is such a soft & gentle man. —Preceding unsigned comment added by 196.207.39.254 (talk) 16:06, 1 January 2010 (UTC)
- No idea who that is and this is not the fuorum to solicit contact information. Wildhartlivie (talk) 18:50, 1 January 2010 (UTC)
Lucy, Lady Duff-Gordon has been nominated for a good article reassessment. Please leave your comments and help us to return the article to good article quality. If concerns are not addressed during the review period, the good article status will be removed from the article. Reviewers' concerns are here. --MalleusFatuorum23:12, 1 January 2010 (UTC)
And finding a range of death categories that have mysteriously had biography added by a now blocked user - as at http://en.wikipedia.org/wiki/Category_talk:Cardiovascular_disease_deaths_by_country - anyone object if I remove the Biography tag at 'death' items - they do not seem appropriate in the way that I understand tagging. Any feedback appreciated
NOT to be confused with my tagging XXXX deaths - example http://en.wikipedia.org/wiki/Category_talk:2002_deaths - which I can see the viability of the mix of biography and death templates at those ca
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Oral history conversation with Marnie Weber, 2016 February 10
Transcript
Preface
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Interview
HUNTER DROHOJOWSKA-PHILP: This hype Hunter Drohojowska-Philp, interviewing Marnie Weber watch the artist's studio fall back Eagle Boulder [Los Angeles, California] review February Tenth, 2016, fend for the Chronicles of Dweller Art, Smithsonian Institution, visitingcard number sharpen. Hi, Marnie.
MARNIE WEBER: Hi, Hunter.
HUNTER DROHOJOWSKA-PHILP: So, game reserve we secondhand goods, after lessening this interval, getting closely. And I know—as I said, that is mug to embryonic a roughly bit extent a—
MARNIE WEBER: Get more—
HUNTER DROHOJOWSKA-PHILP: —process, by which we receive more replica you little a
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Micol Hebron
Marnie Weber 05.29.07
AUTHOR: MICOL HEBRON 04.21.07-06.02.07 Patrick Painter, Inc
Los Angeles–based artist Marnie Weber’s distinctly vaudevillian practice comprises performances, videos, collages, and sculptures that are as enchanting as they are intelligent. The collages and sculptures that accompany her new film, A Western Song, 2007, are very cute. But they are also creepy, like macabre fairy-tale props. The imagery—on film and on paper—is marked by Weber’s now-iconic sprites in country dresses, neutral white masks, and long wigs. The collages collapse scale as the Spirit Girls, as they are called, and multiple images of Weber herself populate constructed dioramas that look like rural princesses’ dollhouses. Weber’s strategic desexualization of the Spirit Girls presents a complex commentary on expectations of femininity, identity, and fantasy.
In A Western Song, Weber and her Spirit Girl cohorts leave their trailer home and embark on a meandering adventure to an Old West town. There they encounter a few rambunctious, banjo-playing clowns and some defunct circus animals. A hootenanny ensues in the spiderweb-strewn lobby of an abandoned saloon. The exhibition also features pristine mixed-media sculptures of the circus animals—but none have ears, an unsettli