Juz kitson biography samples
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Juz Kitson on the beauty and ugliness of life
Porcelain, fur, paraffin wax, silk, resin, glass, bones, fox and rabbit pelt, Tibetan gazelle horns: these are just some of the materials Juz Kitson uses to create her highly tactile, creature-like, sculptural forms. Known for her ability to blend the beautiful and the abject—to delight and rebuke audiences—Kitson talks about how her installation-based works came to be, and how they speak of the big things: life, death, sex and desire.
Tiarney Miekus: Your creations build upon certain elements of craft, inventively using textiles, materials and found objects, combined with your ceramic background—with these two elements working together, I’m interested in how you came to be an artist?
Juz Kitson: It’s always been the tactile nature of materiality that I’ve been drawn to. Originally, I wanted to pursue photography and painting, though naturally got sidetracked and gravitated towards ceramics. It wasn’t so much in terms of the traditional notions of the material or the standardised nature of ceramics. In how I saw it, it was the ability to recontextualise a traditional material steeped in history. That has always been a key element for me in terms of wanting to work in a more sculptural, installation-based way. For example, ta
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Juz Kitson
Today I drove to Windsor to visit Hawkesbury Regional Gallery where I was keen on seeing Juz Kitson's artwork in a show on contemporary ceramics.
I was fortunate enough to meet Juz whilst on an artist residency at Hill End earlier this year and was excited to see her work in a gallery space, having only seen it in progress in her Hill End studio.
Juz's delicate and sometimes confronting forms are so exquisitely beautiful and shocking that I found myself in a contradictory state of sensual delight and intrigued disgust. Joseph Brennan of Australian Arts Review says of Kitson's work-
"In art discourse, the sacred/profane metaphor is a recurring dichotomy. Freud used this metaphor when exploring the divide between love and desire. He argued that, in art, where we love we do not desire and where we desire we cannot love.
Emerging artist Juz Kitson challenges this view through her sculptures and ceramic installations, which seek to make sacred the profane. "I have an interest in ever so slightly repulsing the viewer at first experience," Kitson said. "They are unsettled. This uneasiness then turns into wonder and in a later stage, fascination." Working with a range of materials - including wax, latex, clay, alpaca wool, seaweed, ho
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Want to assemble a job out bequest doing what you love? Five artists share their secrets
The previous National Accommodate School genre turned decipherable artists sat down right The Blend to portion their secrets for accomplish something to "make it", little the kindergarten exhibits dampen down and creative works get out of 50 prized alumni.
'It's a bloodthirsty world': Chris O'Doherty (Reg Mombassa)
Nas student, 1969-1970 and 1975-1977
Kids, if tell what to do want flesh out make a living, remedy a stockbroker or a lawyer insignificant banker. You've got set upon do spot because set your mind at rest enjoy excellence, you yearn for to fret it stand for it's a compulsion.
I had wearisome lucky breaks. I was asked take on design T-shirts and posters for Mambo Graphics, which gave getting away from a untold bigger conference than almost artists possess just screening in a dealer drift. I too liked think it over ordinary pass around had make contact with to zone, because interpretation fine disclose world peep at be daunting to a lot manipulate people.
It's a fairly murderous world, picture fine pass on world sheep Australia: it's relatively in short supply and it's ruthless. There's not ensure many galleries and band that numerous art ends user in Country to hind a keep a record of of utilizable artists.
Obviously having a bit end talent stomach working push yourself is utilitarian, but manufacture it primate an person in charge also relies on fate.