Achibald j motley jr s biography
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Summary of Archibald J. Motley, Jr.
Archibald Motley captured the complexities of black, urban America in his colorful street scenes and portraits. Painting during the time of the Harlem Renaissance, Motley infused his genre scenes with the rhythms of jazz and the boisterousness of city life, and his portraits sensitively reveal his sitters' inner lives. His use of color to portray various skin tones as well as night scenes was masterful.
His depictions of modern black life, his compression of space, and his sensitivity to his subjects made him an influential artist, not just among the many students he taught, but for other working artists, including Jacob Lawrence, and for more contemporary artists like Kara Walker and Kerry James Marshall.
Accomplishments
- Motley more often cited the Old Masters such as Rembrandt and Frans Hals as his influences, and his painting of light and skin tone reflect his careful study of these artists. His paintings, though, are thoroughly modern with their sense of space and rhythm.
- At the time when writers and other artists were portraying African American life in new, positive ways, Motley depicted the complexities and subtleties of racial identity, giving his subjects a voice they had not previously had in art before. Motley's painting
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Archibald Motley
American painter
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We landed the cover of INDYweek, thanks to a thoughtful and nuanced review by Chris Vitiello.
The cover image is a detail of Motley’s irresistable 1961 oil painting, “Hot Rhythm”. The play on words is fun, too; a few smartphones around here auto-correct the artist’s name to heavy metal rock band Mötley Crue.
We always appreciate Vitiello’s bright eyes on our exhibitions.
“Instead of telling the story of an artist’s development,” Vitiello writes, “the show presents Motley as a major American Expressionist painter.” He goes on to point out how this exhibition, which originated at the Nasher Museum, seeks to restore Motley to the annals of art history. “In this, it answers a big question: Why isn’t Archibald Motley better known?” Vitiello writes. “How come museum gift shops stock Jacob Lawrence and Romare Bearden calendars but not Motley ones? His Jazz Age scenes of raucous nightclubs are Harlem Renaissance slideshow standards, but his name remains outside the mainstream that Lawrence and Bearden inhabit. While the other painters are wonderful stylists, Motley is a full-blown Expressionist.”
“After its Nasher debut, Archibald Motley continues on to the Amon Carter Museum of American Art in Fort Worth, the Los Angeles Museum of Contemporary Art, the Chicago